Simmel’s Philosophy of Life and Somaesthetics: A Conversation with Richard Shusterman
Abstract
In this conversation, Stefano Marino engages Richard Shusterman in a wide-ranging dialogue on the contemporary philosophical significance of Georg Simmel. Drawing on Shusterman’s recent work on the relationship between Simmel, pragmatism, and somaesthetics, the interview reassesses Simmel’s place within twentieth- and twenty-first-century philosophy, moving beyond his conventional reception as primarily a sociologist. Through Marino’s carefully structured questions, the discussion explores the intersections between Simmel’s philosophy of life and somaesthetics, focusing on embodiment, sensory experience, self-cultivation, fashion, culture, and the art of living. At the same time, the dialogue highlights important theoretical divergences, particularly concerning the role of the body, the senses, and the relation between subjective and objective culture. The interview also addresses broader issues, including Simmel’s philosophical reception in the Anglo-American world, his complex relationship with pragmatism, and the significance of his Jewish background for understanding concepts such as distance, identity, and the stranger. Rather than presenting Simmel simply as a precursor of contemporary thought, the conversation offers a nuanced philosophical engagement that underscores both the enduring relevance and the unresolved tensions of his work for current debates in aesthetics, social philosophy, and theories of embodiment.
References
Abrams, J. (ed.) (2022). Shusterman’s Somaesthetics: From Hip Hop Philosophy to Politics and Performance Art. Leiden-Boston: Brill.
Antoniol, V. and Marino, S. (ed.) (2024). Foucault’s Aesthetics of Existence and Shusterman’s Somaesthetics: Ethics, Politics, and the Art of Living. London-New York: Bloomsbury.
Droit, R.-P. (2007). “Richard Shusterman: Philosophe Nomade,” Le Point (December 13). (http://www.lepoint.fr/
archives/article.php/214541).
Frisby, D. (2002). Georg Simmel. London: Routledge.
Höök, K. (2018). Designing with the Body: Somaesthetic Interaction Design. Cambridge, MA: The MIT Press.
Scholem, G. (1980). From Berlin to Jerusalem: Memories of my Youth. New York: Schocken.
Shusterman, R. (1992). Pragmatist Aesthetics: Living Beauty, Rethinking Art. Oxford: Blackwell.
_______ (1997). “Next Year in Jerusalem? Jewish Identity and the Myth of Return,” in Practicing Philosophy: Pragmatism and the Philosophical Life. New York: Routledge .
_______ (2002). “Regarding Oneself and Seeing Double: Fragments of Autobiography,” in George Yancey (ed.), The Philosophical I: Personal Reflections on Life in Philosophy. Lanham: Rowman and Littlefield: 1-21.
_______ (2007). Body Consciousness: A Philosophy of Somaesthetics. Cambridge: Cambridge University Press.
_______ (2012). Thinking through the Body: Essays in Somaesthetics. Cambridge: Cambridge University Press.
_______ (2016). The Adventures of the Man in Gold/Les aventures de l’homme en or. Paris: Hermann.
_______ (2024). “Somaesthetics and the Art of Living”. in V. Antoniol and S. Marino (ed.), Foucault’s Aesthetics of Existence and Shusterman’s Somaesthetics: Ethics, Politics, and the Art of Living. London-New York: Bloomsbury.
_______ (2025). “Simmel Between Pragmatism and Somaesthetics,” Idealistic Studies, vol. 55, n. 2.
Shusterman et al. (2012). “Somaesthetics,” in The Encyclopedia of Human-Computer Interaction, 2nd ed. https://www.interaction-design.org/literature/book/the-encyclopedia-of-human-computer-interaction-2nd-ed/somaesthetics?srsltid=AfmBOoq-PxQ9k4X1xbd--o4d4wX1k_ydXQ33YuPjRuF4WmCntWl67Rsg.
Simmel, G. (1950). “The Stranger,” in The Sociology of Georg Simmel, trans. Kurt Wolff. New York: The Free Press: 402-408.
_______ (1997). “On the Essence of Culture” In Simmel on Culture: Selected Writings. London: Sage
_______ (1997). “The Change in Cultural Forms”. In Simmel on Culture: Selected Writings. London: Sage.
_______ (1997). “The Concept and Tragedy of Culture”. In Simmel on Culture: Selected Writings. London: Sage.
_______ (1997). “The Conflict of Modern Culture” . In Simmel on Culture: Selected Writings. London: Sage.
_______ (2000). “Die Historische Formung,” in Aufsätze und Abhandlungen 1909-1918, ed. K. Latzel, Gesamtausgabe vol. 13. Frankfurt: Suhrkamp: 321-369.
_______ (2002). “Über eine Beziehung der Selektionslehre zur Erkenntnistheorie,” trans. in Martic Coleman, “Taking Simmel Seriously in Evolutionary Epistemology,” Studies in History and Philosophy of Science Part A, vol. 33, n. 1: 55-74 (https://doi.org/10.1016/S0039-3681(01)00028-0).
_______ (2015). “Journal Aphorisms,” in The View of Life: Four Metaphysical Essays with Journal Aphorisms, trans. J.A.Y. Andrews and Donald Levine. Chicago: University of Chicago Press.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
Simmel Studies is published under a Creative Commons Attribution Licence 4.0.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask further permissions both to author or journal board.